Application
Songwriters and musicians apply the skills and knowledge described in this unit. The process of composition involves an understanding of musical styles and conventions and how and when to apply these. Alternatively, composers may wish to experiment with adapting styles to create a more original-sounding song or musical piece. Skills associated with developing and applying an understanding of musical styles and genres are covered in: CUSMLT202A Apply knowledge of music culture to music making CUSMLT301A Apply knowledge of genre to music making. Skills associated with using computer technology as the primary tool for composing musical pieces appropriate to this level are covered in: CUSMCP303A Develop simple musical pieces using electronic media. |
Elements and Performance Criteria
ELEMENT | PERFORMANCE CRITERIA |
Clarify composition requirements | 1. In consultation with relevant personnel, identify purpose of composing songs or musical pieces 2. Identify musical styles, elements and forms/structures that might suit the purpose of the composition 3. Discuss with relevant personnel how approaches that break away from conventional approaches might be applied 4. Identify the range of instruments and playing techniques to suit the purpose of compositions 5. Agree on format for final presentation of songs or musical pieces |
Compose melodies | 6. Apply standard melody conventions to compositions as required 7. Identify climax points, harmonies and intervals to be used in the songs or musical pieces 8. Align lyrics with the starting points, climaxes and cadence points of a song's melody as required 9. Use appropriate harmonic/chord progressions or sequences in the melody to suit the style/mood of the song or musical piece 10. Ensure melody is rhythmically coherent and rhythm patterns are appropriate to the style/mood of the song or musical piece 11. Match the level of difficulty and register of the melody with available performers and characteristics of the musical style used in the song or musical piece |
Finalise compositions | 12. Seek feedback on work in progress from relevant personnel and refine compositions accordingly 13. Apply copyright notice to the composition 14. Present compositions in agreed format |
Required Skills
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Required skills |
communication and teamwork skills sufficient to: discuss compositional requirements in a collaborative manner respond positively to constructive feedback on own compositions numeracy skills sufficient to determine duration of songs or musical pieces listening skills in the context of: using aural imagination when manipulating musical elements applying aural-perception skills to improve compositional outcomes initiative and enterprise skills in the context of experimenting with musical styles and elements planning and organisational skills sufficient to: gather information on musicalstyles, elementsandforms/structures match repertoire to purpose of composition learning skills sufficient to: identify and use techniques to develop aural memory and imagination continuously evaluate and adjust own work via critical listening musical skills sufficient to: use compositional techniques relevant to selected musical styles use instruments and musical elements relevant to selected musical styles |
Required knowledge |
music knowledge sufficient to: recognise chords and keys in tonal and/or other musical systems understand and apply instrument tuning understand scope and capacity of instruments for which compositions are developed issues and challenges that typically arise in the context of composing songs or musical pieces |
Evidence Required
The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package. | |
Overview of assessment | |
Critical aspects for assessment and evidence required to demonstrate competency in this unit | Evidence of the ability to: compose simple songs or musical pieces for a specific purpose apply music, repertoire and instrument knowledge use musical elements and melody conventions. |
Context of and specific resources for assessment | Assessment must ensure: access to an environment where song-writing skills can be applied access to appropriate range of instruments use of culturally appropriate processes, and techniques appropriate to the language and literacy capacity of the candidate and the work being performed. |
Method of assessment | The following assessment methods are appropriate for this unit: case studies to assess ability to use musical elements and melody conventions direct observation of the candidate composing songs or musical pieces authenticated samples of song-writing work with candidate's self-evaluation written or oral questioning or interview to test knowledge of song-writing techniques case studies and scenarios as a basis for discussion of issues and challenges that typically arise in the context of composing songs or musical pieces. |
Guidance information for assessment | Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended. |
Range Statement
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included. | |
Relevant personnel may include: | performer client marketing and promotions personnel artist's agent tutor mentor. |
Purpose of composition may be for: | specific artist ensemble music theatre own personal development corporate purposes cultural purposes marketing and promotion educational purposes special communities special occasions public and/or religious ceremonies audio or video recordings for online products or interactive games. |
Musical styles may include: | classical contemporary: blues folk gospel country electronic heavy metal hip hop industrial pop punk rap reggae rock R&B soul funk emo jazz: contemporary cool school easy listening fusion swing tin-pan alley traditional. |
Musical elements may include: | acoustics aesthetic qualities articulation attack beat cultural context duration dynamics expression form harmony/chords instrumentation interpretation intonation melody notation nuance orchestration ornamentation phrasing pitch relationship to song lyrics rhythm scales shape sound production suspensions tempo texture timbre/tone colour time signatures tonality transposition unity and contrast voicing volume. |
Musicalforms/structures may include: | air binary free/through-composed mobile rondo sonata strophic ternary variation verse-chorus, i.e. combinations of verse, chorus, bridge and/or other contrasting sections, such as ABA, AABA, etc. |
Format may be: | notated computer-based recorded. |
Standard melody conventions may include: | diatonic embellishments harmonic rhythm imitation leap melisma phrase pitch repeated notes sequence step turnaround unison. |
Copyright notice may include: | copyright symbol, followed by the name of the copyright owner and the year of first publication for sound recordings, the letter P (for phonogram) in a circle or in brackets is used. |
Sectors
Unit sector |
Competency Field
Performing arts - music composition |
Employability Skills
This unit contains employability skills. |
Licensing Information
Not applicable.